JAMES BURKE


ABOUT: 
    Manifesto 
    Bio 
    CV
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PROJECTS:
    Acrylicize
    The Art House 
    Rootdown
    Shesh 
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ARTWORKS: 

    LEGO
    Just This
    Facing Facts
    That Moment 
    Camouflage (Series)  

    STARS
    1,2,3,4,5
    5 Star
    The Greatest
    Everything, Everywhere 
    Obviously
    Throw Away Compliment 
    Constellation 

    PARTICIPATORY
    The Constant Need for Approval
    Everything and Nothing 
    In Anticipation
    Visual Whispers 
    Mooz{sic}
    Palm (Series) 

    SIGNS AND SYMBOLS
    Signs of the Times 
    The Middle Class 
    Living in a Cave 
    Inverted Verified 
    20 is the New 30 
    The Great Gatso 
    Cereal Vandals 
    On and On and On 

    SHESH
    Cowboy (Series) 
    Cowboy Print 
    Dancing Figures (Series)
    Bins (Series)
    No Monkey Business 
     
    DOCUMENTATION 
    Light Gifts
    Twinning
    Ingtons
    Accidental Logos  

    GET INVOLVED: 
    Commissions  
    Public Speaking
    General Enquiries 
   




IN ANTICIPATION 
2018

8 x 5 x 3m, Steel Sculpture 

Inspired by the limitless possibilities of our next thought, move and action, the 30ft towering ultra-marine blue steel sculpture boldly nods to the non-conformist, creative sentiment so deeply ingrained within the cultural identity of Shoreditch. Echoing a seemingly playful hand drawn sketch, the waiting figure appears to have descended from its plinth and is perched against it, leaning forward expectantly with its head looking back towards the high street, capturing themes of suspense, vulnerability, optimism and possibility.

Playing with the notion of the classical heroic statue traditionally seen standing atop a plinth, this work presents the subject through a more human lens, suggesting that an element of vulnerability may lie behind these figures’ typically powerful stance. Here the character has stepped down from their stage, surrendering this power pose and unveiling themselves as the ‘everyman’, captured in a relatable human moment of contemplation and apprehension.     

The execution and style is reminiscent of the hustle and bustle of London, whilst the figure itself paradoxically captures an intimate and transient moment frozen in time. In
Anticipation offers the beginning of a story and invites the viewer to create his or her own
narrative surrounding the figure and it’s particular circumstance - in anticipation